Disabled-LedEdFringeMusical TheatreNew WritingTheatre REVIEW: Zac Zac Zoom: A Story of Wheels and (F)eels, Zachary Loram, EdFringe 2024 ★★★★☆ Abbie Lowe
EdFringeGriefNew WritingTheatreWoman-Led REVIEW: Flat 2, The Middle Theatre Co, EdFringe 2024 ★★★☆☆ Abbie Lowe
Diaspora-LedEdFringeNew WritingQueerRace & IdentityShortlisted REVIEW: Dummy in Diaspora, Esho Rasho, EdFringe 2024 ★★★☆☆ Ash Strain
ClassEdFringeNew WritingTheatreWoman-LedWomanhood REVIEW: You Are the Kitten, who died and called you king?, EdFringe 2024 ★★★★☆ Abbie Lowe
EdFringeHistoryPhysical Theatre REVIEW: Beautiful Evil Things, Ad Infinitum, EdFringe 2023 ★★★★☆ Ash Strain
Climate CrisisComedyDigital PintsStorytellingTheatreVAULT Festival INTERVIEW: A Digital Print with… Coin Toss Collective, giving us a reason to ‘FREAK OUT!’ at VAULT Festival Aditi Mohan
QueerRace & IdentityTheatreVAULT Festival REVIEW: Borders ألسياج הגדר, Junction Theatre, VAULT Festival ★★★☆☆ Aditi Mohan
EdFringeTheatreWomanhood REVIEW: Hedda, Nora, Julie and Me, BackYard Theatre Ensemble, EdFringe 2022, ★★★★☆ Georgia Stone
EdFringeStorytellingTheatreWomanhood REVIEW: Cake and Violence, Nat Griffen, EdFringe 2022 ★★★☆☆ Georgia Stone
REVIEW: Afterparty, New Celts Productions & F-Bomb Theatre, Edinburgh Fringe 2021 ★★★★☆ August 16, 2021
Abbie Lowe
Ash Strain
Aditi Mohan
Georgia Stone
