EdFringeGenre-DefyingMusical TheatreNeurodiversity REVIEW: Rockbeth, More the Merrier, EdFringe 2023, ★★★★☆ Miriam Trujillo
Genre-DefyingPrague FringeStorytellingTheatre REVIEW: My Esteemed Friend, Third Pier Theatre, Prague Fringe 2023 ★★★★☆ Jake Mace
Digital PintsGenre-DefyingInternationalPrague FringeTheatre INTERVIEW: A Digital Pint with… Lucas Joaquin Da Tos Villalba and Matteo Campagnol, taking us to ‘La Città Senza Nome’ at Prague Fringe 2023 Jake Mace
Digital PintsGenre-DefyingPrague FringeWomanhood INTERVIEW: A Digital Pint with… KEL, showing us that they’re ‘Pleased to Please’ at Prague Fringe 2023 Jake Mace
ComedyGenre-DefyingGriefPhysical TheatreVAULT Festival REVIEW: Good Grief, Ugly Bucket Theatre, VAULT Festival ★★★★★ Aditi Mohan
Genre-DefyingMarginalisedRace & IdentityStorytellingTheatreVAULT Festival REVIEW: Sacrifice, Tina Tieno, VAULT Festival ★★★★☆ Aditi Mohan
Genre-DefyingQueerTheatreVAULT Festival REVIEW: Fruits or, The Decline of a Distant Memory, TAKDAJA, VAULT Festival ★★★☆☆ Jake Mace
Adelaide FringeGenre-DefyingInteractiveTechnology & AI REVIEW: temping, Dutch Kills + Wolf 359 + Electric Dreams, Adelaide Fringe ★★★★☆ Maddie London
Digital PintsGenre-DefyingTheatreVAULT Festival INTERVIEW: A Digital Pint with… Matt Neubauer, kicking us with a ‘SPUR’ at VAULT Festival Jake Mace
INTERVIEW: A Digital Pint with… The Team Behind ‘Forgiving (My Mother)’, Exploring Determinism and Meta-Theatre in 2024 January 9, 2024
Miriam Trujillo
Jake Mace
Aditi Mohan
Maddie London
