Adelaide FringeBlack VoicesComedyGriefImmigrant VoicesTheatreWoman-Led REVIEW: Black Girl Rising, Linnea Tengroth, Adelaide Fringe ★★★★★ Sarah Kher-Bek
Adelaide FringeClownComedy REVIEW: Furiozo: A Man Looking For Trouble, Adelaide Fringe 2025 ★★★★★ Madeleine Martin
Adelaide FringeComedyMusic REVIEW: Saccharine, Emerson Brophy, Adelaide Fringe 2025 ★★★★☆ Moss Meunier
Adelaide FringeClownComedy REVIEW: Darius Emadi: Mixtape, Adelaide Fringe 2025 ★★★☆☆ Madeleine Martin
Adelaide FringeComedyDrag REVIEW: Steve Porters – How To Flirt: The TED XXX Talk, Adelaide Fringe 2025 ★★★★★ Kat Burton
Adelaide FringeClownComedyLatinx Voices REVIEW: Medicine Woman, Adelaide Fringe 2025 ★★★★★ Madeleine Martin
Adelaide FringeCommunityGriefSpoken WordStorytellingTheatre REVIEW: Oh My Heart, Oh My Home, Adelaide Fringe 2025 ★★★★★ Sarah Kher-Bek
Adelaide FringeClownImprov REVIEW: Jeromaia Detto: When I Grow Up, Adelaide Fringe 2025 ★★★★★ Moss Meunier
CommunityScotlandTheatre REVIEW: The Testament of Gideon Mack, DogStar Theatre, Dundee Rep Theatre ★★★☆☆ Jake Mace
Adelaide FringeComedyQueer REVIEW: Twinky Twinky Little Star, Adelaide Fringe 2025 ★★★★☆ Moss Meunier
Adelaide FringeDragMarginalised GendersNon-BinaryQueer REVIEW: KINDER, Adelaide Fringe 2025 ★★★★★ Moss Meunier
ComedyImmigrant VoicesMiddle Eastern VoicesTheatreWoman-Led REVIEW: My body, my choice!, Maedeh Najafi, Adelaide Fringe ★★★☆☆ Sarah Kher-Bek
Adelaide FringeAsian VoicesRace & IdentityStorytellingWoman-Led REVIEW: Why English? – Layers beneath the Language!, Vibhinna Ramdev, Adelaide Fringe 2025 ★★★★★ Sarah Kher-Bek
REVIEW: Hiya Dolly!, Andy Jordan Productions & Swine Palace Theatre, EdFringe 2022 ★★★☆☆ August 17, 2022
INTERVIEW: A Digital Pint with… Phoebe Bakker, telling us all that ‘We Are Going To Die’ at VAULT Festival January 18, 2023