Our Editors
Edinburgh-based Editor-in-Chief. Jake is a prolific writer, known for putting together novel-length reviews that try to heat-seek the essence of everything they watch. Jake is interested in New Writing, 20th Century Adaptations, Musicals and Comedy. They particularly cover Nationality, Identity, Automation, Technology and the Post-Soviet Space.
Festivals: EdFringe (2018-2022), Brighton Fringe (2019), Paris Fringe (2020), VAULT Festival (2023), Prague Fringe (2023)
Pronouns: They/Them
Contact: editor@bingefringe.com
Based in London and obsessed with the Postcolonial world. Aditi likes to look at how theatre and comedy reflects today’s world of multiplicity. She’s keen to watch any kind of theatre or performance but comedy is her go to, because if you don’t laugh you’ll cry.
Festivals: Paris Fringe (2020), VAULT Festival (2023)
Pronouns: She/Her
Contact: aditi@bingefringe.com
Our Contributors
Kat is a theatremaker, performer, and self-identified theatre gremlin from the Isle of Wight. She helped to set up an arts centre/music venue near the Isle of Skye. Kat has a vast interest in multiple genres of theatre, comedy, and music. She is particularly interested in entertainment that celebrates openness and understands the power of storytelling. Her favourite drink is a frozen margarita… for all the wrong reasons.
Festivals: EdFringe (2022), Prague Fringe (2023)
Pronouns: She/Her
Contact: kat@bingefringe.com
Lorn has a background as a musician and composer with an interest in sound design and storytelling through music and audio. They are deeply passionate about accessibility and artists taking strides to create inclusive and accessible theatre. Lorn has a love of gig theatre as well as stories that explore the nuances of gender, our relationships with identity, and our bodies, on stage.
Festivals: Prague Fringe (2023)
Pronouns: They/Them
Contact: lorn@bingefringe.com
Bournemouth-based and fascinated by theatre and comedy in all its forms. He has covered a broad range of Shakespeare adaptations – both straight-laced and out-there – as well as taking a firm interest in stand-up comedy, sketch comedy, improvised comedy, music and even reviewing beatboxing. Mike is interested in the intersection of traditional and classical theatre with contemporary Fringe performance. His favourite drink is a vodka-coke (original, right?)
Festivals: EdFringe (2018-2019), Brighton Fringe (2019), Paris Fringe (2020), Prague Fringe (2023)
Pronouns: He/Him
Contact: mike@bingefringe.com
Sarah is a lover of the arts from Australia, excited to experience all fringe has to offer and immerse herself in the culture of this unique expression voice, heart and character. She enjoys involving herself in every kind of performance, reserving a special place in her heart for spoken word, expression through movement, coming of age and all things gender and exploration.
Festivals: EdFringe (2022), Prague Fringe (2023)
Pronouns: She/Her
Contact: sarah@bingefringe.com
Holly studied English Literature and Drama at university and loves sinking her teeth into every kind of performance, however she reserves a special place in her heart for anything movement based from clowning to dance theatre.
Festivals: VAULT Festival (2023)
Pronouns: She/Her
Contact: holly@bingefringe.com
Maddie wrote and performed in a a sketch show at EdFringe 2022 and is now trying her hand at reviewing in Adelaide. As well as making other people laugh, she also likes to be made to laugh. So, she loves watching stand up and sketch but not exclusively, she is also interested in shows that tell important and often forgotten stories and find unique ways of doing so.
Festivals: Adelaide Fringe (2023)
Pronouns: She/Her
Contact: maddie@bingefringe.com
Georgia has a dance and musical theatre background, with a strong interest in cabaret, theatre, shows with themes of sexual openness, exploration of gender and equality, coming of age, and anything that pushes the boundaries of live performance.
Festivals: EdFringe (2022)
Pronouns: She/Her
Contact: georgia@bingefringe.com
London-based, with a focused effort so far on writing about stand-up comedy and performance art. She has a masters degree in English Literature, and is interested in the voices of emerging artists and creatives, especially with reference to literary texts and political events.
Festivals: Paris Fringe (2020), EdFringe (2021)
Pronouns: She/Her
Contact: daisy@bingefringe.com
