Black VoicesClassEdFringeGayNeurodiversityQueerRace & Identity INTERVIEW: A Digital Pint With… Louis Utieyin and David Hewitson on Grassroots Theatre, Merging Forms and Crashing on your Mate’s Floor Salvador Kent
Black VoicesCircusEdFringeGlobal Majority Voices INTERVIEW: A Digital Pint with… The Black Blues Brothers, on Social Circus School, African Acrobatic Tradition and Western Pop Culture Imagery Shay Mace
Black VoicesDiaspora-LedEdFringePoliticsTheatre INTERVIEW: A Digital Pint with… Quaz Degraft, on Ambition, Identity, and Black Visibility/Invisibility in Wall Street Shay Mace
Black VoicesComedyEdFringeRace & Identity INTERVIEW: A Digital Pint with… Meka Mo, on Multiculturalism, Ambition, and Worlds Colliding in New York City Shay Mace
Black VoicesEdFringeNewsQueer NEWS: Binge Fringe’s Black Performers’ Awards & Queer Performers’ Awards to Return at EdFringe 2026 Shay Mace
Black VoicesEdFringeHistoryMagicPoliticsTheatre INTERVIEW: A Digital Pint with… Rickerby Hinds, on Black History, Freedom, Escape and Henry ‘Box’ Brown Shay Mace
African VoicesBlack VoicesComedyLondonTheatreVoila! Theatre Festival REVIEW: Grifting, Kwesi Sekyi, Voila! Theatre Festival 2025 ★★★★ Lamesha Ruddock
Black VoicesComedyEdFringeSpoken WordTheatre REVIEW: A Vessel Born To Float, Yazmin Monet Watkins, EdFringe 2025 ★★★★★ Lamesha Ruddock
African VoicesBlack VoicesDanceEdFringe REVIEW: Africa Power: The Colour of Water, Africa Power, EdFringe 2025 ★★★★ Lamesha Ruddock
Asian VoicesBlack VoicesEdFringeMarginalisedOpinionRace & Identity OPINION: When the Fringe’s Diversity Problem Goes Beyond the Stage, to What Extent Does ‘Marginalised’ Remain a Useful or Productive Term? Julia Bottoms
Black VoicesEdFringe NEWS: Meet the Winners of Binge Fringe’s Black Performer’s Awards 2025 Lamesha Ruddock
Black VoicesEdFringeGriefTheatreUncategorized REVIEW: As We Face The Sun, Limelight Theatre Group, EdFringe 2025 ★★★★ Lou Fox
Black VoicesDanceEdFringeInternational REVIEW: Puff, Alice Ripoll and Hiltinho Fantástico, EdFringe 2025 ★★★★★ Lamesha Ruddock
Black VoicesEdFringeTheatre REVIEW: Thanks for Being Here, Ontroerend Goed, EdFringe 2025 ★★★★★ Lamesha Ruddock
INTERVIEW: A Digital Pint with… The Black Blues Brothers, on Social Circus School, African Acrobatic Tradition and Western Pop Culture Imagery July 13, 2026
OPINION: The future of VAULT Festival, and all of the arts, is at the mercy of corporate landlordism. We can’t afford to lose what we have. February 16, 2023