EdFringeHistoryNew WritingStorytellingTheatre INTERVIEW: A Digital Pint with… Stephen Smith, on Black Cats, Ravens, Businessmen, Pits and Pendulums Shay Mace
EdFringeHistoryMarginalisedPoliticsTheatre INTERVIEW: A Digital Pint with… Christopher C Gibbs, on Justice, Remembering, the Holocaust and Simon Wiesenthal Shay Mace
EdFringeHistoryTheatreWoman-Led INTERVIEW: A Digital Pint with… Lottie Walker, on Marys, Marias, Mariams, and More, Who Have Made Their Mark on the World Shay Mace
EdFringeHistoryScotlandTheatreWoman-LedWorking Class INTERVIEW: A Digital Pint with… Emily Bignell, on Incrimination, Execution, and Mary, Queen of Scots Shay Mace
Black VoicesEdFringeHistoryMagicPoliticsTheatre INTERVIEW: A Digital Pint with… Rickerby Hinds, on Black History, Freedom, Escape and Henry ‘Box’ Brown Shay Mace
EdFringeHistoryMarginalisedPoliticsTheatreWoman-Led INTERVIEW: A Digital Pint with… The Three Marias, on Censorship, Expression, Courage and Conviction Shay Mace
ComedyHistoryMagicPrague FringeTheatre REVIEW: Fake, Snap The Arrow, Prague Fringe Festival 2026 ★★★★★ Raynar Rogers
HistoryPrague FringeTheatre REVIEW: Moliere: The Last Laugh, Perfect Fools in association with Block Learning Ltd, Prague Fringe 2026 ★★★ Salvador Kent
HistoryPrague FringeTheatre REVIEW: Hunchback of Notre Dames, Pip Utton, Prague Fringe 2026 ★★★★ Magdaléna Škerenčák
HistoryIndiaPoliticsPrague FringeSpoken WordTheatre REVIEW: Last Train from India, UnErase Poetry, Prague Fringe 2026 ★★★★ Salvador Kent
HistoryPrague FringeQueer REVIEW: Roots – Radici, Antonio Anzilotti De Nitto, Prague Fringe 2026 ★★★★ Salvador Kent
HistoryInternationalPalestinePoliticsPrague FringeTheatre INTERVIEW: A Digital Pint with… Sam Sherman and Lila Weitzner, on Solidarity, Golems, Palestine and Protective Presence Shay Mace
Gig TheatreHistoryLesbianMusicNew WritingSapphicScotland REVIEW: A’ CHIAD LITIR – THE FIRST LETTER, Josie Duncan, Edinburgh TradFest 2026 ★★★★★ Elisabeth Flett
Edinburgh TradfestHistoryScotlandStorytelling REVIEW: Daniel Serridge & Heather Cartwright: The Corpse Road, Edinburgh TradFest 2026 ★★★★ Elisabeth Flett
CommunityHistoryMarginalised GendersScotlandTheatre REVIEW: Head. Heart. Hand., Stef Smith, Traverse Theatre 2026 ★★★ Shay Mace
REVIEW: On Your Bike, Cambridge University Musical Theatre Society, Edinburgh Fringe 2021 ★★★★★ August 21, 2021
Shay Mace
Raynar Rogers
Salvador Kent
Magdaléna Škerenčák
Elisabeth Flett
