ScotlandTheatreWorking Class REVIEW: Island Town, Anna Whealing and Aila Swan, Assembly Roxy Edinburgh 2026 ★★★★ Shay Mace
Gig TheatreHistoryLesbianMusicNew WritingSapphicScotland REVIEW: A’ CHIAD LITIR – THE FIRST LETTER, Josie Duncan, Edinburgh TradFest 2026 ★★★★★ Elisabeth Flett
Edinburgh TradfestHistoryScotlandStorytelling REVIEW: Daniel Serridge & Heather Cartwright: The Corpse Road, Edinburgh TradFest 2026 ★★★★ Elisabeth Flett
QueerScotlandTheatre REVIEW: COCK, Kitty Milk Theatre, Augustine United Church Edinburgh 2026 ★★★ Shay Mace
DanceGig TheatreNew WritingQueerScotlandSpoken Word REVIEW: Bedrock, Bedrock Theatre and Elsa Kerscher, Assembly Roxy 2026 ★★★★ Elisabeth Flett
Diaspora-LedMarginalisedPoliticsScotlandTheatre REVIEW: A Grain of Sand, Elias Matar, Traverse Theatre 2026 ★★★★ Shay Mace
Gig TheatreMarginalisedMusicScotland REVIEW: A Giant on the Bridge, Cottiers Theatre 2026 ★★★★★ Shay Mace
CommunityHistoryMarginalised GendersScotlandTheatre REVIEW: Head. Heart. Hand., Stef Smith, Traverse Theatre 2026 ★★★ Shay Mace
Manipulate FestivalPuppetryScotlandTheatre REVIEW: Size Matters, Mamoru Iriguchi, Manipulate Festival 2026 ★★ Shay Mace
Marginalised GendersPoliticsRace & IdentityScotlandTheatre REVIEW: Ulster American, Edinburgh University Theatre Company, Bedlam Theatre 2026 ★★★★★ Shay Mace
EditorialMusicOut in the Hills FestivalQueerScotlandTheatre EDITORIAL: Elisabeth’s Weekend at Out in the Hills Festival – Music, Film, History and Queer Hilarity Elisabeth Flett
MarginalisedPoliticsRace & IdentityScotlandTheatre REVIEW: Through the Mud, Apphia Campbell, Traverse Theatre 2025 ★★★★ Shay Mace
FeministInternationalNew WritingScotlandStorytellingWoman-LedWomanhood REVIEW: He Sits on the Rock of Joy, Linda Perttula and Aino Elina, Scottish International Storytelling Festival 2025 ★★★★ Elisabeth Flett
Climate Crisisd/DeafDisabled-LedMythologyNew WritingScotlandStorytelling REVIEW: Lost to the Sea, Lost to the World, Tania Allan and Craig McCulloch, Scottish International Storytelling Festival 2025 ★★★★ Elisabeth Flett
Gig TheatreMusicMythologyNew WritingScotlandStorytelling REVIEW: Land of Many Waters, Eileen Budd, David McAlmont and Debbie Armour, Scottish International Storytelling Festival 2025 ★★★ Elisabeth Flett
INTERVIEW: A Digital Pint with… Amy Veltman, on Pelvic Floors, Bodily Functions, and ‘Serio-Silly’ Songs July 9, 2025
Shay Mace
Elisabeth Flett
