AbsurdistComedyInteractivePrague FringeTheatre REVIEW: The Mothman Cometh, Whisper Theatre Collective, Prague Fringe 2026 ★★★★★ Magdaléna Škerenčák
HistoryPrague FringeTheatre REVIEW: Hunchback of Notre Dames, Pip Utton, Prague Fringe 2026 ★★★★ Magdaléna Škerenčák
FeministMarginalised GendersPrague FringeTheatre REVIEW: The High Priestess – Johanna, Beatrice Schiaffino, Prague Fringe 2026 ★★★★ Magdaléna Škerenčák
Genre-DefyingPrague FringeTheatre REVIEW: Piano Smashers, Rob Thompson and Rupert Page, Prague Fringe 2026 ★★★ Magdaléna Škerenčák
EdFringeQueerReligionTheatre REVIEW: Holy Matrimony, LSESU Drama Society, EdFringe 2025 ★★★ Magdaléna Škerenčák
EdFringeHistoryStorytellingTheatre REVIEW: Atomic Tales, Elena Arvigo, EdFringe 2025 ★★★★★ Magdaléna Škerenčák
INTERVIEW: A Digital Pint with… Tana Sirois, on Mental Health, Demisexuality, and Identity March 22, 2025
INTERVIEW: A Digital Pint with… Florian Wild, Asking What Really Makes a ‘MONSTER’ at Adelaide Fringe 2024 February 4, 2024
INTERVIEW: A Digital Pint with… Thistle & Rose Theatre, cooking up a ‘Post-Sex Spagbol’ at VAULT Festival January 19, 2023
Magdaléna Škerenčák
