Binge Fringe Magazine – Page 86

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Adelaide Fringe Black Voices Dance Spoken Word

INTERVIEW: A Digital Pint with… Praise Mangena on, ‘Art is the Medium’

Adelaide Fringe Immigrant Voices Theatre Woman-Led

REVIEW: NIUSIA, Adelaide Fringe 2025 ★★★★☆

Adelaide Fringe Asian Voices Immigrant Voices Latinx Voices Marginalised Race & Identity

INTERVIEW: A Digital Pint with… Juanita Navas-Nguyen, on ‘Confessions of a Boba Liberalist’

Adelaide Fringe Comedy Mental Health Queer

REVIEW: Scout Boxall – God’s Favourite, Adelaide Fringe 2025 ★★★★☆

Adelaide Fringe Comedy Neurodiversity Sketch

REVIEW: Elf Lyons: Horses, Adelaide Fringe 2025 ★★★★★

Adelaide Fringe Cabaret & Variety Drag Music Non-Binary Queer

INTERVIEW: A Digital Pint with… Adore Händel, on Lust, Longing, and Historical Gossip

Adelaide Fringe Clown

INTERVIEW: A Digital Pint with… Andrea Barello, on Being a Clown Who Wants to be Loved

Adelaide Fringe Politics Race & Identity Theatre

REVIEW: Help! I Think I’m a Nationalist, Adelaide Fringe 2025 ★★★★★

Adelaide Fringe Cabaret & Variety Comedy History Queer

INTERVIEW: A Digital Pint with… King of More, Dane Lukic, on Human Connection and Colourful Yarn

Adelaide Fringe Storytelling Theatre Woman-Led

INTERVIEW: A Digital Pint with… Joann Condon, on Unpacking Boxes and Emotional Vulnerability

Adelaide Fringe Genre-Defying Improv Interview

INTERVIEW: A Digital Pint with… Ben Volchok on Eels, Soup and Creating Meaning

Adelaide Fringe Clown Genre-Defying International Music

REVIEW: En Haut (Up Up Up Up Up), Adelaide Fringe 2025 ★★★★☆

Adelaide Fringe Dance

INTERVIEW: A Digital Pint with… Chloe Keating, on Libraries, Preservation, and Searching for Answers

Adelaide Fringe Comedy

REVIEW: Standing Room Only, Kitsch Events, Adelaide Fringe ★★★★☆

London New Writing Storytelling Theatre

REVIEW: Swan Teeth, Sofia JM Bitelli, Theatreship ★★★☆☆