AgeClassEdFringeFeministHistoryTheatre REVIEW: Betsi, Her Story Theatre Company, EdFringe 2026 ★★★★ Ellen Leslie
Cabaret & VarietyComedyGayMusical TheatreNon-BinaryQueer REVIEW: Hole!, American Sing-Song (A.S.S), EdFringe 2026, ★★★★★ Bethany Ramsay
EdFringeMental HealthMusical Theatre REVIEW: Bipolarcoaster, Amanda Andrews, EdFringe 2026 ★★★ Oli Fuller
EdFringeNew WritingTheatreWoman's VoicesWomanhood REVIEW: Pajama Talks, Ad Astra Productions, EdFringe 2026 ★★★★ Ellen Leslie
EdFringeNew WritingQueerTheatre REVIEW: Buggers, Patrick Bone Productions in association with Pleasance, EdFringe 2026 ★★★★ Isobel Jacob
EdFringeMultimediaTechnology & AITheatre REVIEW: Nosejob, Heads on Crooked, EdFringe 2026 ★★★ Hannah Hamilton
ComedyDragEdFringeQueerTheatre REVIEW: Roger Prick: Sexopolis, BIGHEAD Comedy, EdFringe 2026 ★★★★★ Oli Fuller
EdFringeFeministGenderWoman-Led REVIEW: ALONE, Alchemy Theatre, Jewel Box Productions, EdFringe 2026 ★★★★ Ash Elliot
ClownComedyEdFringeEditorialInteractiveNew WritingTheatre ROUND-UP: We Asked Binge Fringe Reviewers for One Show Recommendation from EdFringe 2026 – Here’s What They Told Us Shay Mace
EdFringeMasculinityQueerTheatre REVIEW: Moth and Dog Are Dying to Get Out, STAAT Productions, EdFringe 2026 ★★★ Eve Miller
Black Voicesd/DeafEdFringeReligionSpoken WordWoman-Led EDITORIAL: Pray For Me – A BSL Triumph Roe McDonnell
AlternativeComedyEdFringePoliticsSketchSpoken Word REVIEW: Verity Sharpe: Landlord’s Wet Dream, EdFringe 2026 ★★★★ Isobel Jacob
AlternativeEdFringeExhibitionsLive ArtMultimediaMusicPerformance Art REVIEW: Concerts of the Future, House of Oz, The Sonicrats and the Melbourne Symphony Orchestra, EdFringe 2026 ★★★ Finlay Clench
ComedyCommunityDragEdFringeInteractiveTheatre REVIEW: A Foot is Not an Appropriate Prize for the Tombola, Daniel McVey, EdFringe 2026 ★★★★ Oli Fuller
INTERVIEW: A Digital Pint with… Maria Cristina Petitti & Everleigh Brenner, on Eulogies, Fondue, and the Female & Gender Non-Conforming Gaze January 15, 2025