Gig TheatreMusicMythologyNew WritingScotlandStorytelling REVIEW: Land of Many Waters, Eileen Budd, David McAlmont and Debbie Armour, Scottish International Storytelling Festival 2025 ★★★ Elisabeth Flett
EdFringeFeministGig TheatreHistoryScotlandTheatreWoman-Led REVIEW: Mary: A Gig Theatre Show, Knot Tied Theatre / Emma Ruse Productions, EdFringe 2025 ★★★★ Eve Miller
EdFringeGig TheatreInternationalWoman-LedWomanhood REVIEW: Forget-Me-Not, The Wildflowers, EdFringe 2025 ★★★★ Lamesha Ruddock
Gig TheatreMusicMusical Theatre REVIEW: Song Society, Florencia Iriondo, EdFringe 2025 ★★★ Elisabeth Flett
Black VoicesEdFringeGig TheatreWoman-LedWomanhood REVIEW: Hair’s Breath: Music Inspired by Black Women and Their Hair, The BTMR project, EdFringe 2025 ★★★★★ Lamesha Ruddock
EdFringeGig TheatreMusicMythologyTheatre REVIEW: Orpheus, Wright&Grainger, EdFringe 2025 ★★★★ Eve Miller
Adelaide FringeCommunityGig TheatreStorytelling REVIEW: Me, My Cult and I, Colin Ebsworth, Adelaide Fringe 2024, ★★★☆☆ Eilidh McKenzie
EdFringeGig TheatreMusical TheatreQueer REVIEW: Antonio!, Butch Mermaid, EdFringe 2023 ★★★★☆ Jake Mace
EdFringeGig TheatreMarginalisedPolitics REVIEW: The Brief Life & Mysterious Death of Boris III, King of Bulgaria, Out Of The Forest Theatre, EdFringe 2023 ★★☆☆☆ Jake Mace
Climate CrisisGig TheatreVAULT Festival REVIEW: My Lover Was a Salmon in the Climate Apocalypse, Bradán, VAULT Festival ★★★★☆ Jake Mace
REVIEW: Dreamscape, Andy Jordan Productions and Hindsight Productions, EdFringe 2025 ★★★★★ August 14, 2025
INTERVIEW: A Digital Pint with… Karl Taylor on //BUZZCUT// Double Thrills, Access, Activism, and Live Art January 29, 2025
Elisabeth Flett
Eve Miller
Lamesha Ruddock
Eilidh McKenzie
Jake Mace
