Adelaide FringePoliticsRace & IdentityTheatre REVIEW: Help! I Think I’m a Nationalist, Adelaide Fringe 2025 ★★★★★ Moss Meunier
Adelaide FringeGenre-DefyingImprovInterview INTERVIEW: A Digital Pint with… Ben Volchok on Eels, Soup and Creating Meaning Moss Meunier
Adelaide FringeClownGenre-DefyingInternationalMusic REVIEW: En Haut (Up Up Up Up Up), Adelaide Fringe 2025 ★★★★☆ Moss Meunier
Adelaide FringeShakespeareTheatre REVIEW: Sam Blythe: Method in my Madness (A One-Man Hamlet), Adelaide Fringe 2025 ★★★☆☆ Moss Meunier
Adelaide FringeComedyMusicWoman-LedWomanhood REVIEW: Selena Mersey: Madonna/Whore, Adelaide Fringe 2025 ★★★★☆ Moss Meunier
Adelaide FringeComedyDanceGenre-DefyingStorytellingWoman-Led INTERVIEW: A Digital Pint with… Eliza Sanders and Charley Allanah, on Expectations, Confusion and Christmas Work Meetings Moss Meunier
Adelaide FringeDiaspora-LedImmigrant VoicesTheatreWoman-Led INTERVIEW: A Digital Pint with… Beth Paterson on Intergenerational Trauma, Laughter and Patti LuPone Moss Meunier
Adelaide FringeClownComedyDisabled-LedInterviewNeurodiversityNon-BinaryQueer INTERVIEW: A Digital Pint with… Yoz Mensch, on Clowning, Autism and Umbilical Cords Moss Meunier
Black VoicesEdFringeMarginalisedRace & IdentityTheatre REVIEW: KAFKA’S APE, NOMA YINI (PTY LTD), EdFringe 2024 ★★★★★ Moss Meunier
CircusEdFringeHistoryIndigenous Voices REVIEW: Of the Land on Which We Meet, Na Djinang Circus, EdFringe 2024 ★★★★★ Moss Meunier
Asian VoicesComedyEdFringeGayImmigrant VoicesQueer REVIEW: Sam See: And I Don’t Feel At Home In This World Anymore, EdFringe 2024 ★★★☆☆ Moss Meunier
EdFringeMarginalisedMental HealthTheatre REVIEW: Armed Robbery and Suicidal Intent, EdFringe 2024 ★★★★☆ Moss Meunier
REVIEW ROUND-UP: Catania OFF Fringe 2024 – The Sensemaker / ED Recovery / Alter_Azione / T.O.M (The Old Man) / News October 28, 2024
Moss Meunier
