EdFringeMarginalisedStorytellingTheatre REVIEW: Angel, Henry Naylor & Torch Theatre Company, EdFringe 2022 ★★★★★ Sarah Kher-Bek
EdFringeStorytellingTheatreWomanhood REVIEW: Cake and Violence, Nat Griffen, EdFringe 2022 ★★★☆☆ Georgia Stone
ComedyEdFringeEditorialMarginalisedMusicNewsTheatre EDITORIAL: ‘Weird Wood’ are Going Against the Grain – Meet the Radical, Community-Led Production Collective Bringing Unheard Voices to the Fringe. Shay Mace
EdFringeSpoken WordTheatreWomanhood REVIEW: GirlPlay, Sarah Richardson, EdFringe 2022 ★★★★☆ Shay Mace
EdFringeMarginalisedStorytellingTheatre REVIEW: The Girl and Her Balloon, Stick Balloon Theatre, EdFringe 2022 ★★☆☆☆ Shay Mace
EdFringeRace & IdentityTheatre REVIEW: Life Before the Line, Cambridge University Amateur Dramatic Club, EdFringe 2022 ★★★★★ Shay Mace
EdFringeMarginalisedStorytellingTheatre REVIEW: Alright?, Black Hound Productions, EdFringe 2022 ★★★☆☆ Shay Mace
ComedyEdFringeTheatreWomanhood REVIEW: Cheeky Girls, The Counterminers, EdFringe 2022 ★★★★☆ Shay Mace
EdFringeMusicTheatreWomanhood REVIEW: Sleepover, Cambridge University Musical Theatre Society, Edfringe 2022 ★★★☆☆ Georgia Stone
Cabaret & VarietyDragEdFringeQueer REVIEW: Final Baby Girl!, Baby Lame, EdFringe 2022 ★★★★☆ Shay Mace
INTERVIEW: A Digital Pint with… Annie Schofield bringing us ‘The Finest Filth Variety Hour’ at Adelaide Fringe February 18, 2023