ClassEdFringeNew WritingQueerSapphicTheatreWoman-LedWorking Class REVIEW: Hardly Working, BPM Theatre, EdFringe 2024 ★★★☆☆ Rebekah Smith
EdFringeRace & IdentityStorytellingTheatreWorking Class REVIEW: The Chaos That Has Been and Will No Doubt Return, Chalk Line Theatre, EdFringe 2024 ★★★★★ Issy Cory
Climate CrisisGlobal Majority VoicesInternationalPrague FringeTheatreWorking Class REVIEW: Standing on the Miraculous Field, Prague Fringe 2024 ★★★★☆ Moss Meunier
Black VoicesComedyEdFringePerformance ArtPhysical TheatreWorking Class REVIEW: The Black Blues Brothers, Mosaico Errante, EdFringe 2023 ★★★★★ Miriam Trujillo
EdFringeMarginalisedNew WritingTheatreWorking Class REVIEW: Why I Stuck a Flare Up My Arse for England, RoxyDog & Alex Hill, EdFringe 2023 ★★★★☆ Kat Burton
EdFringeMarginalised GendersMusicSpoken WordWorking Class REVIEW: Intense Goblin Nightmare Woman, Fever Peach, EdFringe 2023 ★★★★☆ Shay Mace
EdFringeNew WritingRace & IdentityTheatreWorking Class INTERVIEW: A Digital Pint with… Montel Douglas, Bringing Powerful Drama About the Windrush Crisis to EdFringe 2023 with ‘One Way Out’ Shay Mace
EdFringeMarginalisedNew WritingWorking Class INTERVIEW: A Digital Pint with… Fin Ross Russell, taking us to ‘The Collie’s Shed’ at EdFringe 2023 Shay Mace
DragEdFringeStorytellingWomanhoodWorking Class EDITORIAL: Happy World Fringe Day! Meet the 5 Star Artists Bringing Unmissable Shows to EdFringe 2023 Shay Mace
MarginalisedPrague FringeTheatreWorking Class REVIEW: The Seagull (Not That One), SKELF Theatre Co., Prague Fringe 2023 ★★★★☆ Mike Dorey
Digital PintsMarginalisedTheatreVAULT FestivalWorking Class REVIEW: Rat King, Kryptonite Theatre Company, VAULT Festival ★★☆☆☆ Shay Mace
INTERVIEW: A Digital Pint with… Amy-Beth Hayes, bringing ‘CRACKED’ to VAULT Festival February 7, 2023
Rebekah Smith
Issy Cory
Moss Meunier
Miriam Trujillo
Kat Burton
Shay Mace
Mike Dorey
