EdFringeHistoryMusical TheatreUncategorized REVIEW: Gladiatrix, CF Creative Productions, EdFringe 2025 ★★★★ Oli Fuller
EdFringeInternationalMusicQueerUncategorized REVIEW: Saria Callas, Seemia Theatre, EdFringe 2025 ★★★★ Oli Fuller
ComedyEdFringeMusicMusical TheatreQueerUncategorized REVIEW: A Stan Is Born!, Alexis Sakellaris, EdFringe 2025 ★★★★★ Oli Fuller
Black VoicesEdFringeGriefTheatreUncategorized REVIEW: As We Face The Sun, Limelight Theatre Group, EdFringe 2025 ★★★★ Lou Fox
EdFringeInteractiveNew WritingQueerSpoken WordStorytellingTechnology & AITheatreUncategorized REVIEW: BABYFLEAREINDEERBAG (WIP), Hannah Maxwell, EdFringe 2025 ★★★★★ Eve Miller
Climate CrisisEdFringeGenre-DefyingMultimediaPerformance ArtPhysical TheatreTheatreUncategorized REVIEW: Ways of Knowing, Emergency Chorus, EdFringe 2025 ★★★ Eve Miller
AbsurdistComedyEdFringeUncategorized REVIEW: Jonah Non Grata, Simon Kane, EdFringe 2025 ★★★★★ Oli Fuller
d/DeafDanceDisabilityDisabled-LedMusicUncategorized REVIEW: Evie Waddell: Ivory Cutlery, Edinburgh Deaf Festival 2025 ★★★★ Elisabeth Flett
ComedyEdFringePoliticsUncategorized REVIEW: ROTUS: Receptionist of the United States, Leigh Douglas / Suzanna Rosenthal Productions, EdFringe 2025 ★★★ Oli Fuller
Asian VoicesEdFringeManhoodMultimediaTheatreUncategorizedWomanhood REVIEW: Out of Character, Prickly Ash Theatre, EdFringe 2025 ★★★ Jake Mace
ComedyEdFringeNew WritingTheatreUncategorizedWomanhood REVIEW: Seating Plan, Currie Productions, Edinburgh Fringe 2025 ★★★★ Lou Fox
EdFringeRace & IdentityStorytellingTheatreUncategorizedWoman-Led INTERVIEW: A Digital Pint with… Lubna Kerr, Showing How She’s a ‘Chatterbox’ at EdFringe 2024 Jake Mace
Oli Fuller
Lou Fox
Eve Miller
Elisabeth Flett
Jake Mace
