ComedyEdFringeWoman-Led REVIEW: Emma Holland: Don’t Touch My Trinkets, Impatient Productions and Jubilee Street, EdFringe 2025 ★★★★ Eve Miller
ClownEdFringePhysical TheatreTheatre REVIEW: SWAN?, Lauren Brady and HEYwire Theatre, EdFringe 2025 ★★ Eve Miller
ClownComedyEdFringeHistoryTheatre REVIEW: Knight, Knight, Madeleine Rowe, EdFringe 2025 ★★★★ Eve Miller
EdFringeInteractiveNew WritingQueerSpoken WordStorytellingTechnology & AITheatreUncategorized REVIEW: BABYFLEAREINDEERBAG (WIP), Hannah Maxwell, EdFringe 2025 ★★★★★ Eve Miller
EdFringeFeministGenre-DefyingHistoryTheatre REVIEW: Tilly No-Body, Andy Jordan Productions and Dr ACT, EdFringe 2025 ★★★ Eve Miller
ComedyEdFringeGenderLesbianMarginalised GendersMusical TheatreQueerSapphicTheatre REVIEW: Count Dykula, Airlock Theatre in association with Soho Theatre, EdFringe 2025 ★★★★ Eve Miller
Climate CrisisEdFringeGenre-DefyingMultimediaPerformance ArtPhysical TheatreTheatreUncategorized REVIEW: Ways of Knowing, Emergency Chorus, EdFringe 2025 ★★★ Eve Miller
EdFringeTheatreWoman-LedWomanhood REVIEW: Me and My Year of Casual Monasticism, Emily Knutsson / Ready or Knut Productions, EdFringe 2025 ★★★ Eve Miller
Black VoicesComedyEdFringeRace & IdentityWoman-Led REVIEW: Mary O’Connell: Dilly Dally, Impatient Productions and Dawn Sedgwick Management, EdFringe 2025 ★★★★ Eve Miller
EdFringeFeministGig TheatreHistoryScotlandTheatreWoman-Led REVIEW: Mary: A Gig Theatre Show, Knot Tied Theatre / Emma Ruse Productions, EdFringe 2025 ★★★★ Eve Miller
AgeEdFringeInteractiveStorytellingTheatreWoman-Led REVIEW: LIFE, Maria MacDonell / Leo MacNeil, EdFringe 2025 ★★★ Eve Miller
INTERVIEW: A Digital Pint with… Amy Yeo, on Female Friendship, Seances, and Victorians Like You’ve Never Seen Them Before July 17, 2025