Binge Fringe Magazine – Page 41

Adelaide Fringe Storytelling Theatre Woman-Led

INTERVIEW: A Digital Pint with… Joann Condon, on Unpacking Boxes and Emotional Vulnerability

Adelaide Fringe Genre-Defying Improv Interview

INTERVIEW: A Digital Pint with… Ben Volchok on Eels, Soup and Creating Meaning

Adelaide Fringe Clown Genre-Defying International Music

REVIEW: En Haut (Up Up Up Up Up), Adelaide Fringe 2025 ★★★★☆

Adelaide Fringe Dance

INTERVIEW: A Digital Pint with… Chloe Keating, on Libraries, Preservation, and Searching for Answers

Adelaide Fringe Comedy

REVIEW: Standing Room Only, Kitsch Events, Adelaide Fringe ★★★★☆

London New Writing Storytelling Theatre

REVIEW: Swan Teeth, Sofia JM Bitelli, Theatreship ★★★☆☆

Adelaide Fringe Clown

INTERVIEW: A Digital Pint with… Jessica Barton/Mary Floppins, on Doing All the ‘Dirty Work’ at Adelaide Fringe

Adelaide Fringe Shakespeare Theatre

REVIEW: Sam Blythe: Method in my Madness (A One-Man Hamlet), Adelaide Fringe 2025 ★★★☆☆

Adelaide Fringe Comedy Music Woman-Led Womanhood

REVIEW: Selena Mersey: Madonna/Whore, Adelaide Fringe 2025 ★★★★☆

Adelaide Fringe Clown Woman-Led

INTERVIEW: A Digital Pint with… Lauren Brady, on Becoming a Chain-Smoking Half-Swan Half-Ballerina

//BUZZCUT//Black Voices Dance Genre-Defying Glasgow Global Majority Voices Horror

REVIEW: GONER, Marikiscrycrycry, //BUZZCUT// Double Thrills ★★★★☆

London Marginalised Genders Queer Race & Identity Technology & AI Theatre

INTERVIEW: A Digital Pint with… Arianna Muñoz, on being Chronically Online and the Realities of Fangirling

Community London Theatre Working Class

INTERVIEW: A Digital Pint with… Georgina Duncan, on Northern Communities, Cherry Liquor, and ASBOs

Adelaide Fringe Clown Comedy Queer

INTERVIEW: A Digital Pint with… Lil Wenker, on Cowboy Rivalry, Manhood, and International Clownery

History London Theatre Woman-Led Womanhood

INTERVIEW: A Digital Pint with… Claire Parker, on Victorian Feminism, Magic Realism and Mary de Morgan