Cabaret & VarietyNon-BinaryQueerVAULT Festival REVIEW: The Enby Show, Carrot, VAULT Festival ★★★★☆ Shay Mace
Black VoicesQueerRace & IdentityStorytellingTheatreVAULT Festival REVIEW: Five Years With The White Man, Unleash the Llama, VAULT Festival ★★★★☆ Shay Mace
Mental HealthMusicQueerTheatreVAULT Festival REVIEW: Earth To Kurt, Volume Club, VAULT Festival ★★★★★ Shay Mace
Genre-DefyingQueerTheatreVAULT Festival REVIEW: Fruits or, The Decline of a Distant Memory, TAKDAJA, VAULT Festival ★★★☆☆ Shay Mace
QueerTheatreVAULT FestivalWomanhood INTERVIEW: A Digital Pint with… Dolls in Amber, swooping in with ‘Villain, Interrupted’ at VAULT Festival Shay Mace
Adelaide FringeCabaret & VarietyMarginalisedQueer REVIEW: The Finest Filth Variety Hour, Adelaide Fringe ★★★☆☆ Maddie London
Adelaide FringeCabaret & VarietyDigital PintsMarginalisedQueer INTERVIEW: A Digital Pint with… Annie Schofield bringing us ‘The Finest Filth Variety Hour’ at Adelaide Fringe Maddie London
QueerRace & IdentityTheatreVAULT Festival REVIEW: Borders ألسياج הגדר, Junction Theatre, VAULT Festival ★★★☆☆ Aditi Mohan
QueerTheatreVAULT Festival INTERVIEW: A Digital Pint with… ZAVA Productions, playing ‘HIDE and SEEK’ at VAULT Festival Shay Mace
ComedyQueerTheatreVAULT Festival REVIEW: Gay Witch Sex Cult, Andrew Doherty, VAULT Festival ★★★★☆ Shay Mace
Cabaret & VarietyQueerVAULT Festival REVIEW: Trash Salad, Rosa Faye Garland, VAULT Festival ★★★★☆ Holly Richards
Asian VoicesComedyQueerRace & IdentityTheatreVAULT Festival REVIEW: Varnish, Jonathan Mayor, VAULT Festival ★★★★★ Shay Mace
EditorialQueerVAULT Festival EDITORIAL: 6 Loud & Queer Shows to catch at VAULT Festival Week 2 Shay Mace
Digital PintsQueerTheatreVAULT Festival INTERVIEW: A Digital Pint with… Jonny Peyton-Hill & Chiara Virgilio, delving into a ‘Grey Area’ at VAULT Festival Shay Mace
INTERVIEW: A Digital Pint with… Themis Theatre, on Myth, Mayhem, and Misrepresented Women April 12, 2025
INTERVIEW: A Digital Pint with… Ting Lim, on Relationships, Expectations and the Quiet Absurdity of Never Quite Belonging July 2, 2026