An outstanding representation of what it means to be queer, performed through drag, mime and clowning.
A Drag is Born opens with a guest appearance from another Fringe show, introducing the show and then running off, meanwhile an inconspicuous latecomer arrives during their opening speech and then we are left sat, waiting in silence for the show, until the latecomer takes to the stage.
The guest performer at my performance was Arden Winant as Bea P. Deigh, from her show Beigh P. Deigh at Pleasance Triplex, 1:05pm. Her contrasting portrayal of clownery created an excellent and hilarious opening act for this comedic and beautiful show.
The inconspicuous latecomer, played by Edu Díaz, takes to the stage, and through wordless performance realizes that underneath their coat and gloves, they are in drag, a stunning metaphor for the journey to realisation and acceptance for one’s queerness.
Throughout the piece Edu goes through layers and layers of costume, telling the story of learning self acceptance and overcoming the oppression he faces for being queer. The performance is gorgeous, clever and amusing.
A humorous element I enjoyed simply for its stupidity amongst the meaningful beauty of the piece was how each costume piece and people was just thrown full force into a suitcase in the corner once it was no longer needed, including an umbrella that nearly pierced the curtain.
This show is a work of art, a queer delight I have yet to stop thinking about.
Recommended Drink: Pair this with a Sangria shared with your queer friends and family.
Performances of A Drag is Born have now concluded at EdFringe 2025.





